Copyright April M Rimpo

Visit April's website www.amrart.org
Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.
Showing posts with label varnished watercolor. Show all posts
Showing posts with label varnished watercolor. Show all posts

Friday, March 12, 2021

Heritage a 24" X 24" watercolor

Heritage a 24" X 24" watercolor (c) April M Rimpo

Heritage
Watercolor
24" X 24" painting
26" X 26" silver metal frame


Heritage is part of my Inner Stories portrait series where the goal is not a traditional portrait of a person but a look at the story of the person. These paintings will be included in an exhibit at the Columbia Art Center in 2021. Elaine Weiner-Reed and I are joining forces again in this exhibit that will expand one our "Every Painting is a Story"/"Every Painting is a Song" initiative that you first experienced at our joint show in 2019.

Sometimes the stories in my "Inner Stories" series are my emotional response to that person, how I feel they are inside. Others, like this, look back to her roots growing up in Vietnam. 

The inlays that surround her are derived from a Mother-of-Pearl inlay piece in her home that tells the story of the Trưng sisters, National heroes in Vietnam. They were Vietnamese military leaders who ruled for three years after rebelling in AD 40 against the first Chinese domination of Vietnam.

I loved the story of these brave women and wanted to represent the model as though her story was also preserved in Mother-of-Pearl. To me she represents a strong brave women in today's world. 

"Heritage" is included in the 2021 Visionary Women exhibition at the Columbia Art Center. The exhibit will be on display through Mar 26, 2021.

Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her weekly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Tuesday, March 9, 2021

" Beach Vacation" 11" X 24" watercolor

Beach Vacation by April M Rimpo

Beach Vacation
Watercolor, Varnished
11" X 24" painting
In 1.25” wide brushed silver frame, overall frame size is 13.25” X 26.25”

Beach Vacation brings back memories of many years of trips to the beach. My first beach trips were to the beautiful white sands on the Atlantic City Beach, way before the casinos moved there. The beaches in New England, where I grew up, had tan sand, while those in Oregon were slightly more rock and I found myself mesmerized by the Pacific Ocean, not paying much attention of the color of the sand.

Being the designer of this painting, I decided to give a rose colored cast to the sand, just for the fun of it, although I do believe I’ve seen coral colored beaches somewhere over the years.

I hope my painting takes you to a beach you enjoyed in your lifetime.

This painting was selected for the Georgia Watercolor Society National Show 2021 by John Salminen.


Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her weekly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Friday, September 25, 2020

"First Look" a 12" X 12" Watercolor on Aquabord

 

First Look © April M Rimpo

First Look
Watercolor on Aquabord


12" X 12" Painting
in a 13.5" X 13.5" Black Wood Floater Frame

$500


This sweet little fawn was born in the tall grass in our yard.
Who knew that negligence, due to a lot of rain, would result in a perfect hiding place for the doe to deliver her fawn.  We were fortunate to have a view looking down into this spot from our living room.  My husband and I both took pictures as we watched our new neighbor.  
I believe this was its first time standing as it looked about on the world. Not long later the mother arrived to check on her fawn, who walked over to nurse. They sure get moving quickly. We were so honored to witness these early hours of the baby fawn's life.

Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Note: You may be taken to an error page asking if you want to proceed to my https://..... .php site. This is my secure site created using a php format. It is safe to proceed.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Sunday, September 20, 2020

"The Love-Birds Boat", Watercolor, 24" X 36"

The Love-Birds Boat, watercolor © April M Rimpo
The Love-Birds Boat
Watercolor, mounted and varnished
24" X 36" painting
26" X 38" Brushed Silver Frame


I love watching birds flock to fishing boats when they return to port. I’m sure the pelican’s goal was a late afternoon snack, but from what I can tell the fisherman didn’t cooperate. As soon as he pulled into the dock and tied up the boat, two pelicans perched on the side. Their heads formed the shape of a heart and I couldn’t help but think they had love on their minds. Capturing the glow of the boat in the late afternoon sun emphasized by the cool lavender shaded side led me to create this painting in an orange, violet, and green palette. Pushing the colors of the brown pelicans to orange-brown helped them stand out against the multi-colored water, creating a romantic mood for the painting concept.

I used one of my favorite color schemes of orange-red, green, and violet. Emphasizing the violets brought the dreamy feel to this painting that I desired.


Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Note: You may be taken to an error page asking if you want to proceed to my https://..... .php site. This is my secure site created using a php format. It is safe to proceed.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Saturday, August 22, 2020

"Switching Point" a 11" X 14" watercolor

 

An image seen from an AmTrak train while heading from Baltimore to NYC. It shows Train Control Lights and track track switches
"Switching Point" © April M Rimpo

Switching Point
Watercolor on textured watercolor paper

11" X 14" Painting

$600 
includes a $50 framing budget, currently unframed.

The views along train tracks show a variety of subjects including cityscapes, rivers, mountains, and expansive fields. This painting looks at the workings of the railroad: the train light signals that keep trains on schedule avoiding collisions and the switches that move trains between tracks. The workers you see along the rails keep everything maintained. These are essential workers that keep this part of our infrastructure in order.

Switching Point is a watercolor on watercolor paper that was textured with a gesso and acrylic medium mixture. Working on a textured surface adds a lot of interest to the background. I textured this by using stamps to apply the gesso and acrylic mixture. The pattern was over most of the surface, shining through to different degrees depending on whether I subdued the pattern as I was painting.

Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Note: You may be taken to an error page asking if you want to proceed to my https://..... .php site. This is my secure site created using a php format. It is safe to proceed.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Wednesday, August 5, 2020

"Village Connector" watercolor 12" X 24"

Interlaken train bridge
Village Connector, watercolor by April M. Rimpo

Village Connector
Watercolor
12" X 24"
in 12" X 24" black frame 


The inspiration to paint this scene more than two decades ago occurred during a visit to Interlaken, Switzerland.  This view was across the road from the hotel where we stayed. Staying in the second-story room was lucky, providing this view. 

Sometimes it takes years to figure out how to paint a beautiful scene, such as this. I hope Village Connector brings back some wonderful memories for you.


Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Note: You may be taken to an error page asking if you want to proceed to my https://..... .php site. This is my secure site created using a php format. It is safe to proceed.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Saturday, July 18, 2020

"Keeping Us Fed", Watercolor, 15" X 7" with black frame

Keeping Us Fed © April M Rimpo

Keeping Us Fed
Watercolor
15" X 7" with black frame

I’m grateful for the food industry: from the farmers, the food processors, those who deliver our food to market, and restaurants that prepare food for our consumption. It would be a very different life for most of us if these didn’t exist.  This is my nod to those who toil and persevere to keep us fed.

The stacks of flour needed to constantly supply the kitchen drew me to this scene. Their subtle color shift from one bag to the next was gorgeous to my eye so my camera came out to capture the lovely variation. The wonder pastel shades somehow enforced the beauty of what these people do for all of us.


Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art. Oh, and please be sure to click on the link in a second email to verify your interest in joining my newsletter. Without the verification you will be left in a limbo state where you will not receive my emails and I can't complete the verification on your behalf. If you receive a response that you are already subscribed, email me to confirm and I can send you a different link to update your profile and get the verification email resent to you.
Note: You may be taken to an error page asking if you want to proceed to my https://..... .php site. This is my secure site created using a php format. It is safe to proceed.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.


Monday, May 11, 2020

Moment to Relax, 15.5" X 15.5" watercolor on Aquabord

Guatemalan Girl by April M. Rimpo
Moment to Relax
watercolor
15.5" X 15.5" on varnished Aquabord
$525

Available through HorseSpirit Arts Gallery
info@horsespiritartsgallery.com
301-490-2001
www.HorseSpiritArtsGallery.com


Normally I paint on watercolor paper, but not so for Guatemalan Girl.  Ampersand™ has a product called Aquabord that has a deep cradle made from 2" birch plywood strips that are attached flush with the back edge of the pane.  They make a nice presentation, so framing is not required.  The medium on the board is designed for use with aqueous media.  I found it had some of the same properties as watercolor paper, but I did have to be careful about how long I worked on an area to keep it from getting too soft.  When the painting was complete I varnished the surface so it can hang without glass.

I wanted to fragment the image so I chose 5" square aquabord and designed the piece so each segment would be an interesting painting in its own right.  The exact placement of her body in each frame was carefully crafted to create interesting abstract in each panel.

I considered an exhibit where each segment could be purchased separately.  If sold separately the girl would be shared among the various buyers.  It would be interesting to bring the buyers together to meet and foster new relationships through my art.

The more I thought about the logistics I feared it would be very difficult to hang the segments so they remain properly aligned when hung as a whole.  It seemed like aligning the segments might be a nightmare for me and the gallery, so in the end I attached the 9 panels to a sheet of Plexiglas and drill a slotted hole in the Plexiglas where it could be hung from a nail. 

I still like the idea of displaying art so separate pieces form one image while the individual works are sold separately.  Perhaps if I do this as a single line of paintings instead of a square of nine paintings the logistics of hanging would be reduced.  Let me know what you think about this idea.


IInterested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Thursday, April 30, 2020

"Busy Night Out", a 32 X 16" Watercolor

Busy Night Out  © April M Rimpo
Busy Night Out

Watercolor, Varnished
32" X 16"
Mounted, Varnished and Framed in a 35" X 19" Brushed Silver Frame

SOLD through HorseSpirit Arts Gallery's


In Busy Night Out a place is shown where people are arriving for a night out. My goal is for you to define the stories about where these families and solo explorers are going and what they might do.  I'd love to hear your stories.

Varnished watercolor paintings are protected from the elements, so no glazing is used with this painting.  I think you'll find varnished paintings are more approachable and enticing.

Here are additional nighttime paintings by April:
You can see the student paintings from one of my Nighttime painting workshops here.


Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Tuesday, March 3, 2020

Water Sprite 24" X 24" watercolor

Water Sprite a 24" X 24" watercolor by April M Rimpo
Water Sprite
Watercolor
24" X 24"

Water Sprite is a tribute to a friend who loves fish. I know this because she bought a painting I did of fish and explained how much she enjoys them. She clarified that she did not mean she liked eating them. When she told me this, my thoughts immediately turned to doing a painting of her swimming with fish with a smile from ear-to-ear.  

Shortly before this conversation I had started a series of paintings with a goal accentual the inner story of a person. The story may be something few people or know or well known. Sometimes these inner stories are my reaction to the person, in other words, how I feel about them. So does that make it my inner story about the person?  Maybe not, but my point is that these are not traditional portrait but something deeper.  I hope you enjoy this painting and the others in this series. 

Water Sprite was selected for the Northwest Watercolor Society's Waterworks Unchained exhibition. An online exhibit to be on display April 28 - September 12.

Other paintings in this series include:



Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Tuesday, July 2, 2019

Black Swans 14" X 36" watercolor

Black Swan ©  2019 April M Rimpo
It seems like I photograph swans just about every time I see them, but think this is only the second time I've painting them.  The first time I was new to watercolor and they were white swans. This painting hides in our bedroom, since my painting ability has come a long way since it was created and I would never show it to others. As I recall I saw these black swans during a vacation to New Zealand. I'm not 100% sure of that, since I store my art reference photos separately without reference to the location, so it could have been elsewhere. I believe I also saw black swans in London and somewhere in the US, so who knows.

I find the black swan intriguing. As I painted the swan I realized there are a lot of pale colors nestled in and among the black feathers.  First I painted all their pale shades, so at one point they looked like they could be white swans. Later I added the dark feathers. I love how hints of the pastel colors show through. 

Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Sunday, May 26, 2019

Wonderful Collaborations with Poets and Musicians



As part of our exhibition, Portraits of Life: The Art of Storytelling, Elaine Weiner-Reed and I expanded on her "Every Painting is a Song" concept and held collaboration events with musicians and poets. 

Many of the poets commented about how the colors in our work were so much more vibrant than the images Elaine Weiner-Reed and I shared with them and that they really came to life in person. They were in awe of our work and several said they were planning or interested in writing pieces to more of the paintings.  

One asked how we had selected which paintings to share with the writers in preparation for the event and my response was that we attempted to select paintings where we thought the story would be most appealing. His response was that they all were wonderful stories and all of them would have been great options. 

This was a wonderful thing to hear since my goal in all my paintings is to share a story that I've seen and to hope others see stories of their own in my paintings. My favorite experience is when someone shares their memories that they felt when view my work. 

Well this week I not only got to experience stories through poetry, but also to hear my work through musical improvisation and song. I will never forget this experience. Two of my paintings had two poems and a structured musical improvisation written to them. So many different perspectives on the story behind my art nearly brought me to tears. 

I was especially taken back by the story encapsulated in a beautiful poem by Will Becker, where he envisioned the thoughts and memories of a young cellist who was busking as she played her instrument in a walkway tunnel.

Follow that with learning what Natalie Spehar, the cellist from ROGUE COLLECTIVE (our featured musicians), had to say about this painting. She related to the image in a personal way, explaining how when practicing a piece she thinks about the parts played by other musicians. She could imagine the woman in the painting doing the same. The ROGUE COLLECTIVE performance started with Natalie performing a solo, the two violinists (Alexa Cantalupo and Kaitlin Moreno) acted as people in a crowd listening quietly and periodically dropping coins in a can. They then began to play their violins, simulating the thoughts of the cellist imagining the other parts of the orchestra.  What a powerful piece of music. The audience at our event was mesmerized by ROGUE COLLECTIVE; no whispering, not a sound as they were fully engaged. 

In Her Own World by April M Rimpo
The atmosphere the cellist created in the tunnel in Central Park was amazing and made me wonder about her story and what she was thinking. As a result this painting, In Her Own World, was born. Now through the poems and the insights of musicians some of my wondering has been filled. When I paint images like this I can only imagine the story and often I can only wonder at the possibilities. 

I'll be creating short videos for those poets and musicians who gave us permission to share their wonderful new creations. My goal is to have these done over the next couple weeks and I'll share them as they are completed.

You can follow ROGUE COLLECTIVE on Instagram at https://www.instagram.com/roguecollectivedc/



Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Contact April and see more of her art on her website

You can also stay up to date with April M Rimpo art through Instagram @aprilrimpo - join me

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Friday, May 24, 2019

An Unexpected Workshop for a Local Watercolor Group

  
Azalea Garden 11"X 14" watercolor by April M Rimpo
A local watercolor club reached out to me about 1.5 weeks ago to see if I would be available to teach a workshop to them an upcoming Saturday. I had done one other one-day workshop for them before and I knew the talent in the group was good. Their normal instructor had a conflict, so I was happy to help out.

I know their normal instructor as I took a workshop from him many years ago and wanted to teach something they might not learn from him. Based on some questions that had come up during a class for a different group, I decided a spring scene with flowers and people that also included reflections in the water. I had a new method for teaching how to paint trees and figured trees were another good thing to include in the painting. 

Lakeside Azaleas by April M Rimpo
There is a local Azalea Garden, just a few miles from my home that typically shows off all the beautiful variety of colors of Azaleas this time of year. It's a favorite place to visit in May and leading up to Mother's Day.  I had not made it there this year, but that garden was my inspiration. I arrived with no reference material so they would also have to make up their own colors for the flowers and focus on learning techniques rather than copying a photograph.  I did locate a few images of the garden on my phone (thank you Google) to show them the overall concept, then turned it off and we started.

I love to demonstrate a step, then have the students paint, then demo the next step, etc.  This way it provides time for the painting to dry between steps, which is quite important on watercolors.  I actually worked the two demo paintings, shown above, concurrently, so I could show one step on one and the next step on the other, giving each demo a little bit more time to dry before I went back into the painting. 

Since the group had also asked me to discuss the technique I use for varnishing watercolor paintings, we didn't have time to photograph the group with their paintings. I also knew from my last time with them that they really preferred not to have them photographed.  I was happy with what they produced and a few came up at the end of class to tell me they were happy with their results. One had seemed quite concerned during the class whether she was "doing it right" so I was glad to hear she was happy.  

Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Monday, May 6, 2019

"Leading the Way" 34" X 24" watercolor



Leading the Way

Watercolor
Finished with Archival UV Protection Varnish
Framed with no Glass

34" X 24"

On exhibit at Bernice Kish Gallery at Slayton House May 9 - June 8, 2019

Leading the Way features Cyril Neville of the famed Neville Brothers. I was lucky enough to see him as a Special Guest at Voodoo Threauxdown during a set with Trombone Shorty & Orleans Avenue.  This close up of Cyril shows how this experienced virtuoso naturally took over the stage and effortlessly lead the other musicians through the songs. As he sang he pointed at other musicians to indicate it was their turn for a solo. What a joy to watch this master at work!

The energy he brought to the stage had the crowd up on their feet singing and dancing with the performance. 

Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

Monday, April 29, 2019

"Letting Loose" 20" X 32" Watercolor


Letting Loose a watercolor by April M Rimpo
Letting Loose
Watercolor
20" X 32" painting
Mounted, Varnished, and Framed


The enthusiasm of musicians during a concert, giving their all to the audience, is the subject of Letting Loose. Not only their enthusiasm but also their joy in delivering their best is revealed in their expressions. The lighting of the stage made them appear like they were emerging from darkness, partially obscuring the equipment behind them on stage.

I preserved a few reflections off microphones, drum sets, and other equipment by using a thin mixture of gesso and liquid acrylic medium. These partially masked areas allowed me to complete the background using quick gestural brushwork and highly saturated watercolor paint. Working fast was essential to achieving vibrant colors, imitating the multicolored lights moving about the stage. My energy in applying  paint reminded me of the musicians’ movements during their performances.   


Interested in April's artwork or taking one of her classes? Consider becoming a Studio Friend by signing up for her twice-monthly email. April segments her newsletter so you can select topics you'd like to hear about when you sign up. For those who Select the General Interest topic you will receive emails about twice-monthly. If you are only interested in classes, then the emails will be much less frequent discussing upcoming classes and how to register. Select as many topics as sound of interest. Thank you for your support of April M Rimpo Art.

Copyright April M Rimpo All Rights Reserved. You may share my work with attribution and a link to this source site, but all other uses are prohibited.

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